![]() ![]() The uncertainty or tolerance of measurements is given as a percentage of the full-scale range, or 100% torque value.įor standard spindles (RV-03, LV-01, HV-05, etc.), the tolerance is +/- 1% of the full-scale range.įor cone and plate viscometers, the tolerance is +/- 1% of the full-scale range.įor accessories such as the small-sample adapter, Enhanced UL adapter, etc. This uncertainty is denoted as a measurement tolerance, where the actual viscosity of the fluid being measured can be within a specified range of the measured viscosity. Understanding and calculating measurement tolerancesĮvery measurement taken with a Brookfield instrument has some amount of uncertainty associated with it. This will give a viscosity value in centipoise (cP).įor example, if an RV-04 spindle was being used on an RV torque instrument at 20RPM and the torque value displayed was 62.3%, you could determine the viscosity reading using the factor 2000/N from Appendix A of More Solutions to Sticky Problems in the following equation: To arrive at the viscosity reading being measured by an instrument, you can take the above factor, and multiply it by the percent torque, or dial reading. A spindle will have multiple factors that depend on the torque of the instrument it is installed on, so make sure to note which instrument you are calculating for (LV, RV, HA, HB, etc.) Spindle factors are listed in Appendix A of More Solutions to Sticky Problems, and are given in the form /N, where N is the selected spindle speed in RPM. These factors are empirically calculated functions that allow for a simple conversion between percent torque and viscosity. Calculating a working rangeĮvery spindle produced by Brookfield has a spindle factor. If you are trying to take a measurement, and the instrument is displaying an over-torque error (“EEEE”), or displaying a very low measurement torque (below 10%), then you can adjust your measurement method to alter the instruments working range to better fit your sample. ![]() The 100% torque value is referred to as the full-scale range. Above 100%, your instrument will state “EEEE” for the viscosity, this is the over-torque error. Below 10%, and the instrument may still report a value, but this value will not be accurate. A VALID viscosity measurement can be taken between 10% and 100%. This value is what is used to calculate the viscosity reported by the instrument. On legacy analog instruments, this is also called the “Dial reading”. The basic reading given by a Brookfield viscometer is a unitless value of “percent torque” (%) between the values of 0% and 100%. This working range will be significantly narrower than the overall ranges given for the instrument. Understanding working rangesĮvery Brookfield laboratory viscometer has a range of viscosities it is able to measure given a particular spindle and speed selection. This article will reference tables and figures in Appendix A of More Solutions to Sticky Problems. In this article, we will discuss how to calculate and understand the working range of your viscometer, as well as discuss the uncertainty or tolerance that is applied to each measurement taken with the instrument. If any of these factors change, then the working range of the instrument will also change. The working range of an instrument is determined for each measurement method, and is calculated based on the instrument torque, spindle, and spindle speed. This is the overall range of the instrument and encompasses every spindle and speed combination the instrument is capable of. For example, the RV DV2T gives a range from 100cP to 40,000,000cP. Looking at the Brookfield catalog, you may notice minimum and maximum measurements that cover a huge range of viscosities. This article applies to: All Brookfield laboratory viscometers ![]()
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![]() ![]() Send us an email at Include photos of item/s and give proof of your claim of the item not being authentic.Most pro bartenders prefer using two-piece Boston shakers, but since they require a separate strainer and a little more skill, we think that the all-in-one Usagi Cobbler Shaker from Cocktail Kingdom is the best choice for home bar setups. Send us an email at State the missing parts and include a screenshot of these for reference. Item should be shipped back to Galleon within seven (7) calendar days upon receipt of the item Product is malfunctioning or is defective when it arrives Send us an email at Include videos of item/s showing item damage/defect. Item should be shipped back to Galleon within seven (7) calendar days upon receipt of the item. ![]() > Click on the Add to Cart button above and enjoy your new bartending skills! Bonuses - eBook + recipes booklet 100% MONEY BACK LIFETIME GUARANTEE! NO QUESTIONS ASKED. Jigger - Two-sided (O.5/1 oz) to insure proper balance in your cocktails. Velvet Carry On Bag - No more losing bar essentials (even when you're tipsy.)! Keeps bar tool set all clean when it’s not being used and prevent it getting scratched. The sleek liquor pourers are specially designed to avoid spoilt liquids in your bar. Pourers - Fit into most standard-sized alcohol bottles. Mixing spoon - features a spiral pattern design that gives you a steady, firm grip and makes drink mixing easier than ever. Unlike traditional muddlers made of lacquered wood that leave a disgusting after-taste, Barillio bar muddler is perfect for use in cocktails like Mojito, old Fashioned and more. Muddler - Maximize the true flavors of herbs, spices and fruits. ![]() Including a built-in strainer for holding back ice when pouring and a top sealing shaker cap does not leak when shaking. Want to make those cocktails by yourself, but don’t know how to start?Want to get the full potential of flavors out of your cocktails?You MUST have the right premium bar tools! (SPOILER: WE HAVE THEM FOR YOU!) WHY IS IT THE ONLY MIXOLOGY BARTENDER KIT YOU WILL EVER NEED?After many years of experience behind the bar (using hundreds of bar tools and Margarita shakers), Barillio crew assembled most essential top-grade bar tools with fair price: amateur or experienced mixologist - this cocktail set is perfect for you! BARILLIO COPPER COCKTAIL KIT Rustproof 24 oz cocktail shaker -Premium SST grade. LET ME TELL YOU A LITTLE SECRET…Any mixologist knows that a superb cocktail requires more skill than just pouring spirit with soda into a shaker. Your Mojito, and Martini will taste as if it was made at a bar by real bartenders :).Ībout Rose Copper Cocktail Shaker Set Bartender Kit By Perfect for carrying the whole bartending set to friends and partiesĮBOOK & BOOKLET » Learn new techniques, tips and recipes with "Happy Hour" digital copy! For beginners there is also a pocket-sized booklet with recipes. Therefore, unlike similar cocktail mixer sets who rust easily, this cocktail set is made of high quality stainless steel grade - SS304īAG FOR STORAGE & TRAVEL » The smooth velvet bag will keep your bartender shaker and bar tools clean and safe between uses. RUSTPROOF » Our copper cocktail kit is designed to be practical and elegant, yet durable enough for daily use. Treat your barware tool set well by hand washing with warm, soapy water - and it will last for years. STUNNING COPPER MIRROR FINISH » The copper plated bartender shaker tin is thickened to make sure that it will not break, bend or rust. Rose Copper Cocktail Shaker Set Bartender Kit by FeaturesīARILLIO COPPER BARTENDING KIT ANSWERS ALL YOUR NEEDS!» We provided the most essential home bar accessories you need for mixing delicious cocktails without fuss or mess: drink shaker, mojito muddler, bar spoon, jigger and 2 liquor pourers ![]() ![]() Switch between normal and classic mode before starting missions. ![]()
![]() ![]() Patricia Carroll, Executive Producer, Tyrone Productions, said: “As a Northern Ireland company, we are delighted to be working with Channel 4 and Jamie-Lee O'Donnell on this very personal documentary at such an important time in the city's story. Derry Girls has brought the city to national prominence, now this film gives a voice to a new generation of its young people, so they can tell us what it’s like to grow up there in 2022.” ![]() Viewers will hear from real Derry girls, students at Jamie-Lee’s old school, about the regeneration of the city and why, despite this, many young people feel that they need to leave Derry to gain new skills and experiences.ĭaniel Fromm, Commissioning Editor, Popular Factual, said: “I’m hugely excited to be working with Tyrone Productions on their first commission for Channel 4 - and with Jamie-Lee in a brand new role for her. ![]() With her trademark wit and warmth, Jamie-Lee documents the city’s complex past while also offering her own personal insight into her upbringing in a Catholic community. This timely documentary will follow Jamie-Lee O’Donnell, one of the stars of Channel 4’s award-winning comedy series Derry Girls, as she explores how things have changed since she grew up in Derry.Ĭommissioned by Alf Lawrie’s Factual Entertainment department, the film will also look at what the future may bring for Derry, in particular for the younger generation who still live with the impact of the Troubles. Channel 4 has commissioned Northern Ireland’s Tyrone Productions to make a single authored documentary The Real Derry: Jamie-Lee O'Donnell. ![]() ![]() ![]() ![]() Monitors are installed in front of rows 35, 38, 44, 45, 58, 59, and 70.Ī wheelchair-accessible lavatory is located behind seats 56F and 56G. Seats 58A, 58K, 70A, and 70K do not have a window. Seats with non-movable armrests are as follows: seats A, B, C, H, J, and K in rows 35, 44, and 58 seats D, E, F, and G in rows 38, 45, and 59 all seats in row 70 and seats C, D, G, and H in rows 71 to 76. Seats A, B, C, H, J, and K in rows 35, 58, and 70 are emergency exit row seats. The seat layout from left to right for row 69 is A, B, C, aisle. The seat layout from left to right for row 43 is aisle, D, E, F, G, aisle. The seat layout from left to right for rows 38 to 42, 45 to 56, 59 to 68, and 70 to 76 is A, B, C, aisle, D, E, F, G, aisle, H, J, K. The seat layout from left to right for rows 35, 36, 37, 44, 57, and 58 is A, B, C, aisle, H, J, K. On the main deck, there are 383 Economy Class seats.Įmergency exits are located on both sides at the front of the cabin, both sides behind row 43, both sides in front of row 58, both sides in front of row 70, and both sides at the back of the cabin.Įconomy Class seats are in rows 35 to 76. First Class, Business Class, and Premium Economy are on the upper deck. Galleys are located behind row 2 and at the rear of the cabin.īars are located in front of rows 1 and 5. Lavatories equipped with a multi-function bidet and diaper changing table are located behind seat 18C, behind seat 18H, and behind seats 30H and 30K.Ī lavatory equipped with a multi-function bidet is located behind seat 18G. Wheelchair-accessible lavatories equipped with a multi-function bidet are located in front of seats 1G and 1K and behind seat 18D. Seats A, C, H, and K in rows 21 and 28 are emergency exit seats.Ī monitor is installed in front of row 20.Ī wheelchair-accessible lavatory equipped with a multi-function bidet and diaper changing table is located in front of seats 1A and 1D. The seat layout from left to right for rows 21 to 30 is A, C, aisle, D, F, G, aisle, H, K. The seat layout from left to right for row 20 is aisle, D, F, G, aisle. Premium Economy seats are in rows 20 to 30. Movable partitions are located between seats E and F in rows 5, 7, 9, 11, 13, 15, and 17.Īrmrests are non-movable for all of these seats. The seat layout from left to right for rows 6, 8, 10, 12, 14, 16, and 18 is C, aisle, D, G, aisle, H. The seat layout from left to right for rows 5, 7, 9, 11, 13, 15, and 17 is A, aisle, E, F, aisle, K. Armrests are non-movable for all of these seats.īusiness Class seats are in rows 5 to 18. Movable partitions are installed between seats 1D and 1G and seats 2D and 2G. The seat layout from left to right is A, aisle, D, G, aisle, K. Stairs are located at the front and back of the cabin. On the upper deck, there are 8 First Class, 56 Business Class, and 73 Premium Economy seats.Įmergency exits are located on both sides in front of row 5, both sides in front of row 20, and both sides in front of row 28. This is the seat map for the 520-seat Airbus A380-800. ![]() ![]() Tortilla chips, of course! AND a tasty dip. Oh, and if you don’t have a cocktail shaker, don’t worry about it! You can just as easily stir together this margarita recipe in a glass. Garnish your glass with a lime slice, and enjoy! I like mine really tangy, just as the recipe is written. If you like a stiffer drink, mix in more tequila and Cointreau. If you prefer a sweeter drink, stir in more agave, simple syrup, or even a splash of orange juice.
![]() ![]() Kunimitsu is a very enigmatic character, speaking few words and revealing little of her personality. Sadly, the original Kunimitsu grew ill, and when her state worsened, her daughter finally learned her past history decided to carry out her mother's dream: retrieving Yoshimitsu’s sword. She later married a shinobi and gave birth to a daughter, whom she eventually trained to become a successor to the title of Kunimitsu. Kunimitsu eventually turned her back on the tournament for her two-time failure at earning the Iron Fist title, retiring from her thieving lifestyle. When she confronts Yoshimitsu, Kunimitsu is once again defeated in battle. Determined to steal the sword on behalf of her grandfather, Kunimitsu enters the second King of Iron Fist Tournament to face her former leader. During this time, she learned from her grandfather that the sword held by Yoshimitsu (also called Yoshimitsu) was a priceless artifact, handed down through generations of Manji, and that, despite a lifetime of effort, he had been unsuccessful in forging a replica. Humiliated, she retreated to her former home to stay with her grandfather. However, upon confronting Michelle Chang, the pendant's owner, Kunimitsu was defeated in battle. Kunimitsu vowed to steal the treasure for herself, and entering the first King of Iron Fist Tournament provided the perfect opportunity to do so. It was during this time that she heard of a valuable treasure, held by a young Native American woman, sought by Heihachi Mishima, the wealthy head of the Mishima Zaibatsu. With few options remaining, Kunimitsu resorted to mending air conditioners to make a living. When Yoshimitsu, the head of the Manji Clan, discovered her thefts, the outraged leader banished her from the clan. ![]() While initially abiding by the rules of the clan, stealing from the rich and giving to the poor, she later began to steal from the clan's funds for her own benefit. ![]() Renouncing her Japanese nationality in order to remain anonymous, she trained hard to learn the art of Manji Ninjutsu and improve her thieving abilities. Kunimitsu started out as a petty thief but later joined the Manji Clan in order to hone her skills. ![]() ![]() ![]() Exclusive, user-adjustable mic gain helps balance loud and soft voices in a multi-headset environment. Clear comms – The Dual Aperture Disc microphone provides greater noise cancellation for clearer, more intelligible communications.The magnesium ear cups are superior at blocking out high-frequency noise. Superior quiet – Zulu 3 delivers advanced active noise reduction (ANR) performance over a deep, broad range of low-frequency noise.Durability and longevity – Made almost entirely of stainless steel and magnesium - with durable cables built around a Kevlar core - Zulu 3 is designed to endure the harshest flying environments and last for years to come.We also offer taller head pads at no extra charge to ensure maximum comfort and performance on smaller head shapes. Cup cavities allow the entire ear to fit comfortably inside. 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So, the challenge was, could I use medium format successfully for long-lens wildlife work? Not many people do, and that’s one of the things that made this challenge exciting. Don’t get me wrong‚ I own a lot of 35mm gear, and enjoy using it, but in my experience when it comes to image quality, poor medium format is better than good 35mm. As much as I enjoy using these lenses, and also my Canon 100~400mm f/5.6which I’ve used when portability is paramount, and as pleased as I am with some of my wildlife images, I still missed medium format quality.īecause I’m a fanatic for image quality I only shoot 35mm when the use of medium format is out of the question. I own a Canon 300mm f/2.8L ISsuper-telephoto, and on my late 2001 Bosqueshoot enjoyed using Canon’sexciting 400mm f/4 IS DOlens, which was loaned to me by Canon for testing. If you visit popular wildlife sites like Bosque del Apacheyou’ll see that 400mm f/2.8and 600mm f/4lenses are de rigueur with serious photographers, along with their large size and larger price tags. These include the availability of autofocus, high-frame motor drives, Image Stabilization and in large measure the availability of fast long lenses. Probably 95% of wildlife photographers shoot 35mm, for a variety of reasons. But if this particular lens, or the issue of big fast lenses and how to use them interests you, then this is the article that you’ve been looking for.ĭuring 20 I found myself shooting more and more wildlifein addition to my landscape work. Also, this page has a lot of illustrations and therefore will load slowly. But, to tell the story properly let’s start at the beginning.īe advised though‚ this is a long and involved dissertation, ( big lens‚ big story). The answer to the second part is, to use the right support equipment when dealing with the challenges of weight, bulk and stability. The simple answer to the first part of the question is a desire for exceptional image quality. Why would anyone subject themselves to this, and how on earth does one usesuch a lens? Together with a Pentax 67 IIbody the combo weighs in at nearly 17lbs. It’s 14.5" long and has a front element diameter of 170mm. 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